Wednesday 1 June 2016

A&D P.2 - Book 3



The text of Audio-Vision is in two sections.

First, `The audio-visual contract', lays the foundations for a theory of film sound function based in introspective rationalization of the perceptions of the filmgoer.

Second, the discursive "beyond sounds and images", delineates an analytical method for scholarly analysis of sound in film. 

The first section is concerned with elucidating how sound and image transform one another in the filmgoer's perception. According to Chion, this transformation occurs not because of any "natural harmony" between image and sound, but owing to the "audio-visual contract", wherein, "the two perceptions mutually influence each other...lending each other their respective properties by contamination and projection." Chion's notion is that sound, for example, music, "adds value" to the image. The nature of the synchronous sound causes the filmgoer to construe the image differently, and hence the relationship of sound and image in film should not be described simply as "associationist", but as "synergetic"; they enter into a "contract" in the filmgoer's perception. 

Chion's work presents a regrettably superficial discussion of how music specifically, as distinct from other sources of sound in film, may impact upon perception of filmic meaning, and how filmic context may impact upon perception and cognition of music. "Value added by music" is characterised simply as generation of "empathetic" or "anempathetic" effects. In this section, Chion reverts to the traditional "associationist" folk-theoretic view of the psychological function of music in film, wherein, "music can directly express its participation in the feeling of the scene, by taking on the scene's rhythm, tone, and phrasing; obviously such music 
participates in cultural codes for things like sadness, happiness, and movement."

Choin, M (1994). Audio Vision Sounds on screen. New York: Colombia University Press.

University of Cambridge (no date) Available at: http://www.mus.cam.ac.uk/ESCOM/E/NL9E/PhillipsE.html (Accessed: 5 May 2016).


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